Box 10
Container
Contains 23 Results:
Folder 202: Contents from green expandable file titled: “Fred-Professional”, 1992-2004
File — Container: Box 10, Folder: 202
Scope and Contents
Letter from Barbara Benedict, dated May 18, 2004, regarding salary raise CV – 2 versions – 2 copies of each“Heart of a Dog” informational program. “A one-act opera with music by Martin Brody and Libretto by Pfeil based on Mikhail Bulgakov’s 1925 novella.” May 29, 1992. See also folders 2, 24, 32, 170, 187, 238, 384Letter to Pfeil from Matthew Frost, head of editorial content of Manchester University Press, re: New Hollywood Violence, July 25,...
Dates:
1992-2004
Folder 203: Contents from manila envelope titled: “Outside Auters – Spring ’04,” folder 1 of 2: Articles (many annotated), 1976-2002
File — Container: Box 10, Folder: 203
Scope and Contents
Article; “Problems of a Bengal Film Maker” by Satyajit Ray from Our Films, Their Films; Bombay, India, Orient Longman, 1976Article; “Stern Eyes” by Satyajit Ray undated, origin of article unknownCollection of graded student papers for film classEmail from Adam Ross, “Last Weekly Response Paper”Essay; “A New Cinema” by David AdamEssay; “Kiarostami’s Poetry on Camera” by Adam RossEssay; “Utilization of the Car in...
Dates:
1976-2002
Folder 204: Contents from manila envelope titled: “Outside Auters – Spring ’04,” folder 2 of 2: Handwritten Notes, undated
File — Container: Box 10, Folder: 204
Scope and Contents
Handwritten notes on film; “Mr. Bidii…” (NOTE: this is from the first line on the paper, may be a character or title of the film—but not necessarily. I did the same for the rest of the untitled sets of notes in this folder which seem to consist mostly of outlines and other notes Pfeil drew up on films he used for this class.)Photocopy; “Words to the Intellectuals”Handwritten notes on film; “Strauberg and…”Handwritten notes on film; “Tornesee…”...
Dates:
undated
Folder 205: Contents of folder labeled “Loose Contents”, undated
File — Container: Box 10, Folder: 205
Scope and Contents
Ingmar Bergman partial script
Handout; “A Conference of Writers, Filmmakers and Critics at Duke University September 25-27”
Script; GoodFellas, photocopied from book with annotations by Pfeil
Dates:
undated
Folder 206: “Readings in Sociology and Cultural Production – includes hell packet of Marxist Theory stuff,” Folder 1 of 2, 1977-1982
File — Container: Box 10, Folder: 206
Scope and Contents
Outer flap from original folder with notesTypewritten notes; “On the Jewish Question”Article; 5- Reading for the best Marx: history-writing and historical abstraction by Rienard Johnson, from Making Histories: Studies in history writing and politics, Minneapolis, University of Minnesota Press, 1982, 2 copies—1 annotated by PfeilArticle; Psychology, Ideology and the Human Subject by Diana Adlam, et. al from Ideology & Consciousness. No. 2. October...
Dates:
1977-1982
Folder 207:“Readings in Sociology and Cultural Production – includes hell packet of Marxist Theory stuff,” Folder 2 of 2, 1977-1993
File — Container: Box 10, Folder: 207
Scope and Contents
Article; Ideology and the Cultural Production of Gender by Michele Barrett from Feminist Criticism and Social Change, New York, Methuen, 1985, 65
Handout; “Editorial” photocopied from Ideology and Consciousness, 1, 1, (May, 1977), 1-3Article; The Rediscovery of ‘Ideology’: Return of the Repressed in Media Studies by Michael Gurevitch, et. al. from Culture, Society and the Media New York: Methuen, 1982, 52Article; State and Civil Society by Gransci Antonio from The...
Dates:
1977-1993
Folder 208: Contents from Whole Foods Paper bag labeled “Fiction,” Folder 1 of 5, 1957-2004
File — Container: Box 10, Folder: 208
Scope and Contents
White mailing envelopeContents from white mailing envelope: Notes enclosed—2 sets, one yellow, one whiteYellow: “1. Where’s the camera…”White: “Fade…Godfrey…Karloff in…”Article; Welles’s Labyrinths: An Introduction to Touch of Evil by Terry Comito from Touch of Evil, Orson Wells, Director, Ruttgers University Press, 1985, 3Article; Notes on the Auteur Theory in 1962 by Andrew Sarris from Film Theory and Criticism...
Dates:
1957-2004
Folder 209: Contents from Whole Foods Paper bag labeled “Fiction,” Folder 2 of 5, 1975-1994
File — Container: Box 10, Folder: 209
Scope and Contents
Handout; “English 265: Intro to Film Studies Take Home Final Essay” 2 copiesHandwritten notes; “Blast of Hoorah—tract over to Gould in bed-hungry, eh?”Article; Radical Surfaces Robert Altman from a Cinema of Loneliness: Penn, Stone, Kubrick, Speilberg, Altman, Robert Kolker, ed., New York, Oxford University Press, 1988, 349; annotated by PfeilTypewritten notes on “scrap” paper; “Only once does he alter the distance…The Long Goodbye…”Handwritten...
Dates:
1975-1994
Folder 210: Contents from Whole Foods Paper bag labeled “Fiction,” Folder 3 of 5, 1947-1998
File — Container: Box 10, Folder: 210
Scope and Contents
Article; “Double Indemnity” by Claire Johnson from Women in Film Noir, Anne E Kaplan, ed., London, British Film Institute, 1980, 100 Handwritten notes; “Thanks to Eileen and to…”Handwritten notes; “Quota from Meta abt. …”Photographs (location not stated):Frontal shot of “Lowe’s” theater2 shots of “Providence” marqueeBlurry shot of “Lowe’s” theaterClipped packet:Passage from “The Hive of Subtlety:...
Dates:
1947-1998
Folder 211: Contents from Whole Foods Paper bag labeled “Fiction,” Folder 4 of 5, 1971-2005
File — Container: Box 10, Folder: 211
Scope and Contents
Typed notes; “Notes on Welles from Naremore, The Magic World of Orson Welles ” annotated, with unrelated notes on reverse of last sheetHandout; “Romance and Capitalism and the Movies”Clipped set of handwritten notes; “What constitutes a film genre? What are the prerequisites or preconditions for a film genre? … ”Clipped set of handwritten notes; “Fantasy/reportage on 1st 12 min. …”Handout; “Dr. Mabuse, der Spielier…” 2 copies...
Dates:
1971-2005