Folder 209: Contents from Whole Foods Paper bag labeled “Fiction,” Folder 2 of 5, 1975-1994

Handout; “English 265: Intro to Film Studies Take Home Final Essay” 2 copies

Handwritten notes; “Blast of Hoorah—tract over to Gould in bed-hungry, eh?”

Article; Radical Surfaces Robert Altman from a Cinema of Loneliness: Penn, Stone, Kubrick, Speilberg, Altman, Robert Kolker, ed., New York, Oxford University Press, 1988, 349; annotated by Pfeil

Typewritten notes on “scrap” paper; “Only once does he alter the distance…The Long Goodbye…”

Handwritten notes; “Notes on Altman from Kolhar”

Handwritten notes on “scrap” paper; “Altman-compare to Wells…”

Article; Leave the Gun. Take the Cannoli by Francis Ford Coppola from A Cinema of Loneliness: Penn, Stone, Kubrick, Speilberg, Altman Robert Kolker, ed., New York, Oxford University Press, 1988

Article; 1. A Certain Tendancy of the American Cinema: Classic Hollywood’s Formal and Thematic Paradigms by Robert Ray from A Certain Tendency of the Hollywood Cinema 1930-1980, Princeton, New Jersey, Princeton University Press, 1985; annotated by Pfeil

Article; 9. The Left and Right Cycles by Robert Ray from A Certain Tendency of the Hollywood Cinema 1930-1980, Princeton, New Jersey, Princeton University Press, 1985, 296; annotated by Pfeil

Article; Godfather II: A Deal Coppola Couldn’t Refuse by John Hess from Jump Cut 7, 1975, 1

Clipped packet of handwritten and typewritten notes; “That the noir spirit should reassert itself…”

Article; The Package-unit System: Management After 1955 by David Bordwell, et, al. eds from The Classic Hollywood; New York, Columbia University Press, 1985, 330

Handout; The Vow of Chastity/How to make Dogme-film from www.dogme95.dk/how_to, 2 copies

Typewritten notes on film; “Sabotage—15 shot, 2 minutes sequence…”

Flowchart; “The National Entertainment State,” photocopy

Article; The Package-unit System: Management After 1955, second copy, see above for full citation

Handwritten notes on several films:

“Muller’s Crossing”

“Fargo”

“Dick in LS calling Mary from phone booth…”

“Blood Simple”

Article; “The Fathers Watch The Boys’ Room” by Sharon Wills from Camera Obscura 32 (Sep-Jan 93-94), 40

See also folder 211 for additional copy

Part of above article (pp 64-73)

Typewritten notes; “Most significant of all is the manner in which the classical Hollywood paradigm…”

Article on “La Dolce Vita” title and publication info unknown, annotated