Folder 210: Contents from Whole Foods Paper bag labeled “Fiction,” Folder 3 of 5, 1947-1998

Article; “Double Indemnity” by Claire Johnson from Women in Film Noir, Anne E Kaplan, ed., London, British Film Institute, 1980, 100

Handwritten notes; “Thanks to Eileen and to…”

Handwritten notes; “Quota from Meta abt. …”

Photographs (location not stated):

Frontal shot of “Lowe’s” theater

2 shots of “Providence” marquee

Blurry shot of “Lowe’s” theater

Clipped packet:

Passage from “The Hive of Subtlety: ‘Benito Cereno’ and the Liberal Hero,” by James H Kavanaugh from Sacvan Bercovitch and Myra Jehlen, eds., Ideology and Classic American Literature, Cambridge, U.K., an dnew York, Cambridge University Press, 1994, 2 copies

Two-piece flow chart; “The Top Ten”

Handwritten notes; “Starting the shift From New H-Wood…”

Partial printout of article; “See Thomas Schatz, ‘The New Hollywood’…”

Article; “Corrigan, ‘Auteurs and the New Hollywood,” printout from internet

Article; Cinema in the Age of Television by Michelle Holms from The Oxford History of World Cinema, Geoffrey Nowell-Smith, ed., Oxford, Oxford University Press, 1996

Student paper; “A Prostitute’s Murder in Blow Out” author unknown

Student paper; “Screening Report: The Godfather” author unknown

Article; Holidays Turn into Hollywood’s Hot Season by Lyman and Holson from nytimes.com, 2 copies

Exam; English 265: Introduction to Film Studies, Fall, 1992

Syllabus; English 265: Introduction to Film Studies

Handout; “Figures 33-38. Contrast lighting in Out of the Past (1947)” 2 copies

Article; Restoring the Touch of Genius to a Classic from the New York Times, Sunday, September 6, 1998, Arts section, pgs 1, 16

Contents from torn manila envelope:

Handwritten notes from small unlined tablet; “Antich: compare to the program here…” Article; “Film and System: Terms of Analysis” by Steven Heath from Screen, 16, 1 (Spring 1975) 7

Handout; “The Humanism Effect…”

Article; Restoring the Touch of Genius to a Classic from the New York Times, Sunday, September 6, 1998, Arts section, pgs 1, 16, photocopy and original

Article; Technological change and Classical Film Style by D Bordwell and K Thomspn from Grand Design: Hollywood as a Modern Business Enterprise, Tino Balio, ed., New York, Scribners, 1993, 109

Clipped packet of handwritten notes on “scrap” paper: “Note change in syllabus, from They Live to Lady from Shanghai”

Handout; A Few More Things I Learned Aout Life by Going to the Movies by Mike Oldfield from Facets Features Winter 1999/2000

Clipped group of handwritten and typewritten notes: “What constitutes a film genre? …”

Yellow sheet with single quote: “John Ford: The secret is to make films that please the public and also allow the director to reveal his personality.”

Stapled packet of handwritten notes on “scrap” paper; “Week 2: Great Train Robery and Broken Blossoms”

Clipped packet of handwritten notes on “scrap” paper; “Week 2: Lanz and Einstein…”

Handwritten notes on film; “Steve’s Attorney…”

Handwritten notes; “Points from reading…”

Handwritten notes; “Eisner, The Haunted Screen…”